Vol. 2 (2015) - Special Issue - English Edition
21 cm ; Pol. text, eng. summary
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2. B. Buchloh; see his “From Faktura to Factography,” October 30 (1984, Autumn): 102-106.
3. W. Benjamin, The Arcades Project, trans. H. Eiland and K. McLaughlin (Cambridge, MA–London: Belknap Press).
4. S. Cavell, The Claim of Reason: Wittgenstein, Skepticism, Morality, and Tragedy, (New York–Oxford: Oxford University Press, 1999).
5. S. Cavell, “A Matter of Meaning It,” in Must We Mean What We Say? (Cambridge: Cambridge University Press, 1976).
6. S. Cavell, The World Viewed. Reflections on the Ontology of Film, (Cambridge, MA–London, 1979).
7. T. J. Clark, Farewell to an Idea: Episodes from a History of Modernism (New Haven–London: Yale University Press, 1999).
8. T. J. Clark, Image of the People. Gustave Courbet and the 1848 Revolution (Berkeley–Los Angeles: University of California Press, 1999).
9. G. Courbet, Exhibition and Sale of Forty Paintings and Four Drawings by Gustave Courbet (“The Realist Manifesto”), Paris 1855, quoted at http://www.musee-orsay.fr/en/collections/courbet-dossier/courbet-speaks.html, accessed August 30, 2015.
10. J. Crary, Suspensions of Perception: Attention, Spectacle, and Modern Culture (Cambridge, MA: MIT Press, 2001).
11. J. Crary, Techniques of the Observer. On Vision and Modernity in the 19th Century (Cambridge, MA–London: MIT Press, 1990).
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20. S. Guilbaut, How New York Stole the Idea of Modern Art, trans. A. Goldhammer (Chicago: University of Chicago Press, 1985).
21. Gustave Flaubert – George Sand Correspondence (Paris: Flammarion, 1981).
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23. D. LaCapra, Madame Bovary on Trial (Ithaca–London: Cornell University Press, 1982).
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26. Michael Fried in Conversation with Stephen Shore, in Stephen Shore (London: Phaidon, 2007).
27. K. Pijarski, (Po)nowoczesne losy obrazów. Sekula / Struth (Łódz: Wydawnictwo PWSFTviT, 2013).
28. J. Rancière, “From Politics to Aesthetics?,” Paragraph 28, 1 (2005): 13-25.
29. J. Rancière, “Notes on the Photographic Image,” Radical Philosophy 156 (2009): 8-15.
30. Ch. Rosen, H. Zerner, Romanticism and Realism: The Mythology of Nineteenth-Century Art (New York: Viking, 1984).
31. S. Wilson, “‘La Beauté Révolutionnaire’? Réalisme Socialiste and French Painting 1935-1954,” Oxford Art Journal 3 (2) (2008): 61-69.
oai:rcin.org.pl:62217 ; 0867-0633 ; 10.18318/td.2015.en.2.10
IBL PAN, call no. P.I.2524 ; kliknij tutaj, żeby przejść
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Library of the Institute of Literary Research PAS
Ministry of Science and Higher Education
2 paź 2020
4 kwi 2017
12
https://rcin.org.pl./publication/81567
Nazwa wydania | Data |
---|---|
Pijarski K. - “Realism,” Embodied Subjects, Projection of Empathy | 2 paź 2020 |
Kaczmarek, Alina
Leciński, Maciej
Czarnecka, Dominika
Krawczyńska, Dorota