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Object

Prism: Understanding Non-Sites of Memory
This publication is protected by copyright. Access to its digital version is possible on computer terminals in the institution that shares it.
This publication is protected by copyright. Access to its digital version is possible on computer terminals in the institution that shares it.

Title: Prism: Understanding Non-Sites of Memory

Creator:

Sendyka, Roma ORCID ; Croft, Jennifer : Tł.

Date issued/created:

2015

Resource type:

Text

Subtitle:

Vol. 2 (2015) - Special Issue - English Edition

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Pol. text, eng. summary

Type of object:

Journal/Article

References:

1. G. Agamben, Remnants of Auschwitz: The Witness and the Archive, trans. D. Heller-Roazen (Zone Books: New York, 1999).
2. E. van Alphen, Armando: Shaping Memory (Rotterdam: NAi Publishers, 2000).
3. M. Auge, Non- Places: An Introduction to Supermodernity, trans. J. Howe, 2nd edition (London: Verso, 2009).
4. U. Baer, Spectral Evidence: The Photography of Trauma (Cambridge: MIT Press, 2002).
5. J. Beinek, “Inscribing, Engraving, Cutting: The Polish Romantic Album as Palimpsest,” in The Effect of Palimpsest: Culture, Literature, History, edited by B. Shallcross and R. Nycz ( Frankfurt am Main: Peter Lang, 2011).
6. R. Brody, “Claude Lanzmann on ‘Shoah,’” The New Yorker (December 10 2010), http://www.newyorker.com/online/blogs/movies/2010/12/claude-lanzmann-on-shoah.html;
7. E. E. Burriss, Taboo, Magic, Spirits: A Study of Primitive Elements in Roman Religion (New York: Macmillan, 1931).
8. D. Chakrabarty, “The Climate of History: Four Theses,” Critical Inquiry 2 (2009): 197-222.
9. J. Culler, “Junk and Rubbish: A Semiotic Approach,” Diacritics 15 (Fall 1985): 2-13.
10. T. DeNora, After Adorno: Rethinking Music Sociology (Cambridge: Cambridge University Press, 2003).
11. P. Desbois, The Holocaust by Bullets: A Priest’s Journey to Uncover the Truth behind the Murder of 1.5 Million Jews (New York: Palgrave Macmillan, 2009).
12. G. Didi-Huberman, Phasmes: essais sur l’apparition (Paris: Minuit, 1995).
13. G. Didi-Huberman, “The Site, Despite Everything,” trans. S. Liebman, in Claude Lanzmann’s Shoah: Key Essays, ed. S. Liebmann (Oxford: Oxford University Press 2007).
14. F. Gantheret, “L’Entretien de Claude Lanzmann, Les non-lieux de mémoire,” Nouvelle Revue de Psychanalyse 33 (1986): 293–305.
15. R. Kotarba, Niemiecki obóz w Płaszowie 1942–1945 (Warsaw–Krakow: Instytut Pamięci Narodowej, 2009), 161–175.
16. D. LaCapra, “Lanzmann’s ‘Shoah’: ‘Here There Is No Why,’” Critical Inquiry 2 (1997): 231-269.
17. C. Lanzmann, “Le Lieu et la parole,” Au sujet de Shoah: Le Film de Claude Lanzmann, ed. M. Deguy (Paris: Éditions Berlin, 1990).
18. C. Lanzmann, Patagonian Hare: A Memoir, trans. F. Wynne (New York: FSG, 2013).
19. S. Liebman, Claude Lanzmann’s Shoah: Key Essays (Oxford: Oxford University Press, 2007).
20. J. Małczyński, “Drzewa—Żywe pomniki w Muzeum-Miejscu Pamięci w Bełżcu,” Teksty Drugie 1–2 (2009): 208-214.
21. M. P. Markowski, “Wiping Out: The Palimpsest, the Subject, and the Art of Forgetting,” edited by B. Shallcross and R. Nycz (Frankfurt am Main: Peter Lang, 2011).
22. P. Nora, “Between Memory and History: Les Lieux de Mémoire,” Representations 26 (1989): 7-24.
23. D. Reinartz, Deathly Still: Pictures of Former Concentration Camps (New York: Scalo Publishers, 1995).
24. Z. Reshi, S. Tyub, Detritus and Decomposition in Ecosystems (Delhi: New India Publisher 2007).
25. I. Sample, “Firm Plans Human DNA Tree Memorial,” The Guardian (April 30, 2004), accessed 28 July 2012, http://www.theguardian.com/science/2004/apr/30/genetics.highereducation.
26. S. Schama, Landscape and Memory (New York: Vintage Books, 1996).
27. T. Snyder, Bloodlands: Europe between Hitler and Stalin (New York: Basic Books, 2010).
28. C. Sturdy Colls, “Holocaust Archaeology: Archeological Approaches to Landscapes of Nazi Genocide and Persecution” Journal of Conflict Archaeology 7 (2012): 70-104.
29. A. Whitehead, Trauma Fiction (Edinburgh: Edinburgh University Press, 2004).
30. J.St. Wojciechowski, “Oskara Hansena (i zespołu) projekt oświęcimskiego pomnika ‘Drogi’ w świetle jego teorii Formy Otwartej,” in Pamięć Shoah: Kulturowe reprezentacje i praktyki upamiętniania, ed. T. Majewski and A. Zeidler-Janiszewska (Łódz: Wydawnictwo Officyna, 2011).
31. J. E. Young, Texture of Memory: Holocaust Monuments and Meanings (New Haven, CT: Yale University Press, 1993).

Relation:

Teksty Drugie

Issue:

2

Start page:

13

End page:

28

Detailed Resource Type:

Article : original article

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:62225 ; 0867-0633 ; 10.18318/td.2015.en.2.2

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Restricted Access

Terms of use:

Copyright-protected material. Access only on terminals at the Institute of Literary Research of the Polish Academy of Sciences, may be used within the limits of statutory user freedoms.

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Ministry of Science and Higher Education

Access:

Closed

Object collections:

Last modified:

Jul 28, 2021

In our library since:

Apr 4, 2017

Number of object content downloads / hits:

14

All available object's versions:

https://rcin.org.pl./publication/81559

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