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21 cm ; Pol. text, eng. summary
1. N. Carroll, The Philosophy of Horror, Or Paradoxes of the Heart. Nowy Jork 1990.
2. B. Cherry, Horror. Londyn 2009
3. E. Brzostek, Nasłuchiwanie hałasu: Audioantropologia między ekspresją a doświadczeniem. Toruń 2014
4. A. Has-Tokarz, Horror w literaturze współczesnej i filmie. Lublin 2010
5. E. Ekman i P. Lankoski, “Hair-Raising Entertainment: Emotions, Sound, and Structure In Silent Hill 2 and Fatal Frame,” w: B. Perron. Horror Video Games: Essays on the Fusion of Fear and Play. Jefferson, NC 2009
6. D. Toop, Haunted Weather: Music, Silence, and Memory. Londyn 2004
7. D. Toop, Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. Londyn 2001
8. D. Toop, Sinister Resonance: The Mediumship of the Listener. Londyn 2010
oai:rcin.org.pl:64972 ; 10.18318/td. ; 0867-0633
IBL PAN, call no. P.I.2524 ; click here to follow the link
Copyright-protected material. May be used within the limits of statutory user freedoms
Institute of Literary Research of the Polish Academy of Sciences
Library of the Institute of Literary Research PAS
Oct 2, 2020
Mar 8, 2018
2271
https://rcin.org.pl./publication/81038
Edition name | Date |
---|---|
Marak K. - Odgłosy w bezgłosie: niesamowitość dźwięku według Davida Toopa | Oct 2, 2020 |
Stander, P. E. Ghau Tsisaba, D.
Smith, J. C.
Hastings, K. K. Testa, J. W. Rexstad, E. A.
Marak, Katarzyna Markocki, Miłosz