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Odgłosy w bezgłosie: niesamowitość dźwięku według Davida Toopa
Subtitle: Creator: Publisher: Place of publishing: Date issued/created: Description:21 cm ; Pol. text, eng. summary
Type of object: Subject and Keywords:Toop, David ; sound ; sound studies
References:
1. N. Carroll, The Philosophy of Horror, Or Paradoxes of the Heart. Nowy Jork 1990.
2. B. Cherry, Horror. Londyn 2009
3. E. Brzostek, Nasłuchiwanie hałasu: Audioantropologia między ekspresją a doświadczeniem. Toruń 2014
4. A. Has-Tokarz, Horror w literaturze współczesnej i filmie. Lublin 2010
5. E. Ekman i P. Lankoski, “Hair-Raising Entertainment: Emotions, Sound, and Structure In Silent Hill 2 and Fatal Frame,” w: B. Perron. Horror Video Games: Essays on the Fusion of Fear and Play. Jefferson, NC 2009
6. D. Toop, Haunted Weather: Music, Silence, and Memory. Londyn 2004
7. D. Toop, Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. Londyn 2001
8. D. Toop, Sinister Resonance: The Mediumship of the Listener. Londyn 2010
IBL PAN, call no. P.I.2524 ; click here to follow the link
Language: Language of abstract: Rights: Terms of use:Copyright-protected material. May be used within the limits of statutory user freedoms
Digitizing institution:Institute of Literary Research of the Polish Academy of Sciences
Original in:Library of the Institute of Literary Research PAS
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