Subtitle:

Teksty Drugie Nr 5 (2015)

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Pol. text, eng. summary

Type of object:

Journal/Article

References:

1. J. Attali, Noise: The Political Economy of Music, University of Minnesota Press, Minneapolis/London 1985.
2. G. Bachelard, Kształtowanie się umysłu naukowego. Przyczynek do psychoanalizy wiedzy obiektywnej, przeł. D. Leszczyński, Gdańsk 2008.
3. A. Bosetti, African Feedback, Errant Bodies Press, Berlin 2006.
4. D. Cascella, En Abîme: Listening, Reading, Writing. An Archival Fiction, Zero Books, Winchester-Washington 2012.
5. E. Condillac, Traktat o wrażeniach, przeł. W. Wojciechowska, Warszawa 1958.
6. Doing Cultural Studies. The Story of Sony Walkman, ed. by P. du Gay, Sage Publications 2013.
7. P. Doyle, Echo and Reverb: Fabricating Space in Popular Music Recording, 1900–1960, Wesleyan University Press, Middletown 2005.
8. K. Eshun, More Brillant Than the Sun: Adventures in Sonic Fiction, Quartet Books, London 1998.
9. H. Foster, Powrót realnego. Awangarda u schyłku XX wieku, przeł. M. Borowski, M. Sugiera, Kraków 2010.
10. M. Foucault, Nadzorować i karać. Narodziny więzienia, przeł. T. Komendant, Warszawa 1993.
11. S. Goodman, Sonic Warfare. Sound, Affect, and the Ecology of Fear, The MIT Press, Cambridge-London 2012.
12. Jaeglé, Portret oratorski Gilles’a Deleuze’a o kocim spojrzeniu, przeł. M. Jacyno, Warszawa 2013.
13. Kapchan, Traveling Spirit Masters. Moroccan Gnawa Trance and Music in the Global Marketplace, Wesleyan University Press, Middletown 2007.
14. Kelly, Craked Media. The Sound of Malfunction, MIT Press, Cambridge-London 2009.
15. B. LaBelle, Acoustic Territories. Sound Culture and Everyday Life, Continuum, London 2010.
16. B. LaBelle, Background Noise: Perspectives on Sound Art., Continuum, London 2006.
17. B. LaBelle, Lexicon of the Mouth. Poetics and Politics of Voice and the Oral Imaginary, Bloomsbury, New York-London 2014.
18. J. Lacan, Le Séminaire. Livre XI. Les quatre concepts fondamentaux de la psychanalyse, Éditions du Seuil, Paris 2014.
19. L. Meintjes, Sound of Africa!: Making Music Zulu in a South African Studio, Duke University Press, Durham & London 2003.
https://doi.org/10.1215/9780822384632
20. Ch. Migone, Sonic Somatic. Performances of the Unsound Body, Errant Bodies Press, Berlin 2012.
21. T. Misiak, Kulturowe przestrzenie dźwięku, Poznań 2013.
22. M. Munro, Different Drummers: Rhythm and Race in the Americas, University of California Press, Berkeley & Los Angeles 2010.
https://doi.org/10.1525/california/9780520262829.001.0001
23. L. Niebur, Special Sound. The Creation and Legacy of the BBC Radiophonic Workshop, Oxford University Press, Oxford 2010.
https://doi.org/10.1093/acprof:oso/9780195368406.001.0001
24. The Oxford Handbook of Sound Studies, edited by T. Pinch, K. Bijsterveld, Oxford University Press, Oxford 2012.
25. Ch. Partridge, Dub in Babylon. Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-Punk, Equinox, London-Oakville 2010.
26. N.E. Restif de la Bretonne, Noce paryskie, przeł. J. Sell, Kraków 1981.
27. S. Reynolds, Retromania. Pop Culture’s Addiction to Its Own Past, Faber&Faber, London 2011.
28. L. E. Schmidt, Hearing Things. Religion, Illusion, and the American Enlightenment, Harvard University Press, Cambridge 2000.
29. H. Schwartz, Making Noise. From Babel to the Big Bang & Beyond, Zone Books, New York 2011.
30. J. Starobinski, 1789. Emblematy rozumu, przeł. M. Ochab, Warszawa 1997.
31. J. Sterne, The Audible Past. Cultural Origins of Sound Reproduction, Duke University Press, Durham & London 2003.
https://doi.org/10.1215/9780822384250
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37. D. Toop, Sinister Resonance. The Mediumship of the Listener, Continuum, London 2011.
38. S. Voegelin, Listening to Noise and Silence. Towards a Philosophy of Sound Art, Continuum, London 2011.
39. S. Voegelin, Sonic Possible Worlds. Hearing Continuum of Sound, Bloomsbury, New York 2014.
40. S. Weiss, Varietes of Audio Mimesis: Musical Evocations of Landscape, Errant Bodies Press, Berlin 2008.
41. R. Young, Electric Eden. Unearthing Britain’s Visionary Music, Faber&Faber, New York 2011.
42. S. Zielinski, Archeologia mediów. O głębokim czasie technicznie zapośredniczonego słuchania i widzenia, przeł. K. Krzemieniowa, Warszawa 2010.

Relation:

Teksty Drugie

Issue:

5

Start page:

13

End page:

27

Detailed Resource Type:

Article : original article

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:64976 ; 10.18318/td. ; 0867-0633

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Free Access

Terms of use:

Copyright-protected material. May be used within the limits of statutory user freedoms

Digitizing institution:

Institute of Literary Research of the Polish Academy of Sciences

Original in:

Library of the Institute of Literary Research PAS

Access:

Open