Subtitle:

Vol. 2 (2015) - Special Issue - English Edition

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Tekst pol., streszcz. ang.

Type of object:

Czasopismo/Artykuł

References:

1. A. Azoulay, Civil Imagination: A Political Ontology of Photography, trans. L. Bethlehem (London, New York: Verso, 2012).
2. A. Azoulay, The Civil Contract of Photography, trans. R. Mazali and R. Danieli (New York: Zone Books, 2008).
3. A. Azoulay, From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947–1950, (London: Pluto Books, 2011).
4. A. Badiou, Ethics: An Essay on the Understanding of Evil, trans. P. Hallward (London: Verso, 2012).
5. S. Baldwin, Poverty and Politics: The Rise and Decline of the Farm Security Administration (Chapel Hill: University of North Carolina Press, 1968).
6. R. Barthes, Camera Lucida: Reflections on Photography, trans. R. Howard (New York: Hill and Wang, 1981).
7. W. Benjamin, “The Storyteller,” trans. H. Zohn, in The Novel: An Anthology of Criticism and Theory 1900-2000, ed. D. J. Hale (Malden: Blackwell Publishing, 2006).
8. W. Benjamin, Understanding Brecht, trans. A. Bostock (London: Verso, 1998).
9. J. Berger, “Uses of Photography,” in About looking (New York: Pantheon Books, 1980).
10. H. Bergson, Matter and Memory, trans. N. M. Paul and W. S. Palmer (New York: Zone Books, 1988).
11. E. Caldwell, M. Bourke-White, You have seen their faces (Athens, London: Brown Thrasher Books, 1995).
12. H. Cartier-Bresson, The Decisive Moment (New York: Simon and Schuster, 1952).
13. H. Damisch, Ciné fil (Paris: Seuil, 2008).
14. G. Didi-Huberman, Invention de l’hystérie: Charcot et l’iconographie photographique de la Salpêtrière (Paris: Macula, 1982), 9–82.
15. Th. de Duve, “Time Exposure and Snapshot: The Photograph as Paradox,” in Photography Theory, ed. J. Elkins (New York, London: Routledge, 2007).
16. C. A. Finnegan, Picturing Poverty: Print Culture and FSA Photographs (Washington, D.C.: Smithsonian Institution Press, 2003).
17. S. Freud, Inhibitions, Symptoms and Anxiety, trans. A. Strachey (New York: Norton, 1977).
18. S. Freud, “Some General Remarks on Hysterical Attacks,” trans. A. Strachey, in S. Freud, The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. IX (1906-1908) (London: Vintage, 2001).
19. H. Gernsheim, A. Gernsheim, A Concise History of Photography (London: Thames & Hudson, 1971).
20. V. Goldberg, The Power of Photography: How Photographs Changed our Life (New York: Abbeville Publishing Group, 1991).
21. M. Heidegger, Being and Time, trans. J. Stambaugh (Albany: State University of New York Press, 1996).
22. J. Hunter, Image and Word: The Interaction of Twentieth-Century Photographs and Texts (Cambridge, London: Harvard University Press, 1987).
23. M. Jay, “Photography and the Event,” in Double Exposure. Memory and Photography, ed. O. Shevchenko (New Brunswick: Transaction Publishers, 2014).
24. S. Kracauer, The Mass Ornament: Weimar Essays, trans. Th. Y. Levin (Cambridge: Harvard University Press, 1995).
25. G. E. Lessing, Laocoon: An Essay on the Limits of Painting and Poetry, trans. E. Frothingham (Mineola: Dover Publications, 2005).
26. O. Lugon, Le style documentaire. D’August Sander à Walker Evans, 1920-1945 (Paris: Éditions Macula, 2011).
27. M. Merleau-Ponty, The Visible and the Invisible, trans. C. Lefort, (Evanston: Northwestern University Press, 1968).
28. M. Michałowska, Foto-teksty. Związki fotografii z narracją (Poznań: Wydawnictwo Naukowe UAM, 2012).
29. J.-L. Nancy, Être singulier pluriel (Paris: Galilée, 1996).
30. B. Newhall, The History of Photography from 1839 to the Present Day, (New York: Museum of Modern Art, 1949).
31. Potential History: Photographic Documents from Mandatory Palestine (Wrocław: European Culture Congress, 2011).
32. J. Rancière, Courts voyages aux pays du peuple (Paris: Seuil, 1990).
33. J. Rancière, La méthode de l’égalité (Montrouge: Bayard).
34. J. Riis, How the Other Half Lives (San Bernardino: ReadaClassic.com, 2010).
35. C. Schloss, In Visible Light: Photography and the American Writer, 1810–1940 (New York: Oxford University Press, 1987).
36. B. Stiegler, Bilder der Photographie: Ein Album photographischer Metaphern (Frankfurt: Suhrkamp, 2006).
37. W. Stott, Documentary Expression and Thirties America (New York: Oxford University Press, 1973).

Relation:

Teksty Drugie

Issue:

2

Start page:

80

End page:

104

Detailed Resource Type:

Artykuł naukowy oryginalny

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:62220 ; 0867-0633 ; 10.18318/td.2015.en.2.7

Source:

IBL PAN, sygn. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Prawa zastrzeżone - dostęp ograniczony

Terms of use:

Zasób chroniony prawem autorskim. Korzystanie dozwolone wyłącznie na terminalach Instytutu Badań Literackich PAN w zakresie określonym przez przepisy o dozwolonym użytku.

Original in:

Biblioteka Instytutu Badań Literackich Polskiej Akademii Nauk

Projects co-financed by:

Ministra Nauki i Szkolnictwa Wyższego

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