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Etnografia Polska 63 z. 1-2 (2019)
Instytut Archeologii i Etnologii Polskiej Akademii Nauk
The article presents three main stages in the history of the Kraków nativity-scene craft. First, the stage prior to institutionalization, covering the oldest history of nativity-scene making; second, the stage of institutionalization, initiated by the organization of the first competition for the most beautiful nativity scene in Kraków in 1937; and third, the UNESCO-ization of the nativity-scene craft, inaugurated by the inclusion of the Kraków nativity-scene (szopka) tradition on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in 2018
oai:rcin.org.pl:113640 ; 0071-1861 ; doi:10.23858/EP63.2019.013
IAiE PAN, sygn. P 325 ; IAiE PAN, sygn. P 326 ; IAiE PAN, sygn. P 327 ; click here to follow the link
Prawa zastrzeżone - dostęp nieograniczony
Instytut Archeologii i Etnologii Polskiej Akademii Nauk
Biblioteka Instytutu Archeologii i Etnologii PAN
Feb 2, 2022
Feb 17, 2020
597
https://rcin.org.pl./publication/142043
Edition name | Date |
---|---|
Soćko-Mucha, Alicja, 2019, From “tradition” to “intangible heritage”: Kraków’s Nativity-scene craft | Feb 2, 2022 |
Hillbricht-Ilkowska, Anna
Soćko-Mucha, Alicja
Baraniecka-Olszewska, Kamila
Kajder, Kaja
Gliwicz, Zbigniew Maciej
Niedźwiedź, Anna