Etnografia Polska 63 z. 1-2 (2019)
Instytut Archeologii i Etnologii Polskiej Akademii Nauk
The article presents three main stages in the history of the Kraków nativity-scene craft. First, the stage prior to institutionalization, covering the oldest history of nativity-scene making; second, the stage of institutionalization, initiated by the organization of the first competition for the most beautiful nativity scene in Kraków in 1937; and third, the UNESCO-ization of the nativity-scene craft, inaugurated by the inclusion of the Kraków nativity-scene (szopka) tradition on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in 2018
oai:rcin.org.pl:113640 ; 0071-1861 ; doi:10.23858/EP63.2019.013
IAiE PAN, call no. P 325 ; IAiE PAN, call no. P 326 ; IAiE PAN, call no. P 327 ; kliknij tutaj, żeby przejść
Copyright-protected material. May be used within the limits of statutory user freedoms
Institute of Archaeology and Ethnology of the Polish Academy of Sciences
Library of the Institute of Archaeology and Ethnology of the Polish Academy of Sciences
2 lut 2022
17 lut 2020
552
https://rcin.org.pl./publication/142043
Nazwa wydania | Data |
---|---|
Soćko-Mucha, Alicja, 2019, From “tradition” to “intangible heritage”: Kraków’s Nativity-scene craft | 2 lut 2022 |
Hillbricht-Ilkowska, Anna
Soćko-Mucha, Alicja
Baraniecka-Olszewska, Kamila
Kajder, Kaja
Gliwicz, Zbigniew Maciej
Niedźwiedź, Anna