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21 cm ; Tekst pol., streszcz. ang.
1. J. Derrida, The truth in painting, trans. G. Bennington, I. McLeod, University of Chicago Press, Chicago–London 1987, s. 175.
2. V. Hugo, Victor Hugo et les images. Colloque de Dijon, red. M. Blondel, P. Georgel, Diffusion, Aux Amateurs de livres, Dijon–Paris 1989.
3. E. Panofsky, Early Netherlandish painting, „The Burlington Magazine” 1956 nr 98, s. 110-116.
4. M. Praz, Mnemosyne. The parallel between literature and the visual arts, Princeton 1970, s. 27. Najnowsze polskie wydanie: Mnemosyne. Rzecz o powinowactwie literatury i sztuk plastycznych, przeł. W. Jekiel, słowo/obraz terytoria, Gdańsk 2006.
5. R. Webb, Ekphrasis Ancient and Modern: The Invention of the Genre, „Word & Image: The Journal of Verbal / Visual Enquiry” 1997 no 1, s. 7-18.
oai:rcin.org.pl:48443 ; 0867-0633
IBL PAN, call no. P.I.2524 ; click here to follow the link
Copyright-protected material. May be used within the limits of statutory user freedoms
Institute of Literary Research of the Polish Academy of Sciences
Library of the Institute of Literary Research PAS
Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund
Oct 2, 2020
Oct 8, 2014
868
https://rcin.org.pl./publication/65475
Edition name | Date |
---|---|
Shallcross B. - Poeta i sygnatury | Oct 2, 2020 |
Zaleski, Marek
Woźniak-Łabieniec, Marzena
Bukowski, Piotr
Nieukerken, Arent van