Indonesian Music-Culture as a Personal and Research Experience

Popławska, Marzanna

doi:0137-4079

Indonesian Music-Culture as a Personal and Research Experience

Available formats:

PDF
Open Download
Audio
Open Download

Download all

Title: Indonesian Music-Culture as a Personal and Research Experience

Abstract:

In this article, I address music – that is, humanly and purposefully organized sound (Blacking 1973; Shelemay 2001) – as a personal, cultural and research experience. Drawing on my experience of learning, researching and performing Indonesian music, I discuss several issues that are pertinent to the ethnomusicological/anthropological study of non-native music-cultures. I examine the concept of bi-musicality, its challenges and limitations; the role of a phenomenological perspective and hermeneutics in conceptualizing the complexities of music experience and meaning in music; and the role of music in shaping identity, especially at the community level.

References:

Aragon L. V. 1996. Suppressed and Revised Performances: Raego’ Songs of Central Sulawesi, Ethnomusicology 40(3), 413–438.
Aragon L. V. 2000. Fields of the Lord: Animism, Christian Minorities, and State Development in Indonesia. Honolulu: University of Hawai’i Press.
Barz G. F. 2003. Performing Religion: Negotiating Past and Present in Kwaya Music of Tanzania. New York: Rodopi.
Berger H. M. 2015. Phenomenological Approaches in the History of Ethnomusicology. Oxford Handbooks Online.
Berger H. M. 2008. Phenomenology and the Ethnography of Popular Music: Ethnomusicology at the Juncture of Cultural Studies and Folklore. In T. Cooley & G. Barz (eds.), Shadows in the Field, Second Edition. New York: Oxford University Press, 62–75.
Blacking J. 1973. How Musical is Man? Seattle: University of Washington Press.
Brinner B. 1995. Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction, University of Chicago Press.
Cooley T J., Barz G. (eds.). 2008. Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, Second Edition. New York: Oxford University Press.
Cooley T J. and Barz G. 2008. Casting Shadows: Fieldwork Is Dead! Long Live Fieldwork! – Introduction. In T. Cooley & G. Barz (eds.), Shadows in the Field, Second Edition. New York: Oxford University Press, 3–24.
Cottrell S. 2007. Local bimusicality among London’s freelance musicians. Ethnomusicology, 51(1), 85–105.
Díaz-Andreau M. 2005. The Archeology of Identity: Approaches to Gender, Age, Status, Ethnicity and Religion. London, New York: Routledge.
Dominguez V. R., Wu D. Y. H. (eds.). 1998. From Beijing to Port Moresby: The Politics of National Identity in Cultural Politics. Amsterdam: Gordon and Breach Publishers.
Dueck J. 2016. The Oxford Handbook of Music and World Christianities, Oxford University Press.
Frith S. 1996. Music and identity. In S. Hall, P. Du Gay (eds.), Questions of Cultural Identity. Thousand Oaks, CA: Sage Publications, Inc., 108–127.
Geertz C. 1960. Religion of Java. University of Chicago Press.
Giuriati G. 2001. Ki Mantle Hood. In Grove Music Online, L. Macy (ed.). Oxford University Press. Retrieved from <http://www.grovemusic.com>.
Herndon M. 1993. Insiders, outsiders: knowing our limits, limiting our knowing. The World of Music 35(1), 63–80.
Hodges W. R. 2009. Ganti Andung, Gabe Ende (Replacing Laments, Becoming Hymns): The Changing Voice of Grief in the Pre-funeral Wakes of Protestant Toba Batak (North Sumatra, Indonesia). Ph.D. dissertation, University of California Santa Barbara.
Hood M. 1960. The Challenge of Bi Musicality. Ethnomusicology 4(2), 55–59.
Keane W. 2007. Christian Moderns: Freedom and Fetish in the Mission Encounter. Berkeley and Los`Angeles: University of California Press.
Kim J. K. 2004. Mission Strategy for the Javanese Church of Tomorrow in the Province of Yogyakarta. Ph.D. dissertation, Biola University.
Kunst J. 1942. Music in Flores. A Study of the Vocal and Instrumental Music among the Tribes Living in Flores. Leiden: E.J. Brill.
Kunst J. 1994 [1946] Indigenous Music and the Christian Mission. In Indonesian Music and Dance: Traditional Music and its Interaction with the West. Amsterdam: Royal Tropical Institute, 57–87.
Lucy S. 2005. Ethnic and cultural identities. In M. Diaz-Andreu, L. Sam, S. Babić, D. N. Edwards (eds.), Archaeology of Identity. London: Routledge, 86–109.
Manhart T. M. 2004. A Song for Lowalangi – The Interculturation of Catholic Mission and Nias Traditional Arts with Special Respect to Music. Ph.D. dissertation, National University of Singapore.
Meka V. A. G. 2012. Katolicka kultura muzyczno-liturgiczna w regionie Manggarai na wyspie Flores (Indonezja). Ph.D. dissertation, Katolicki Uniwersytet Lubelski.
Mendieta E. 2003. Afterword: Identities: Postcolonial and Global. In L. M. Alcoff, E. Mendieta (eds.), Identities: Race, Class, Gender, and Nationality. Malden, MA: Blackwell Pub.
Merriam A. 1960. Ethnomusicology, Discussion, and Definition of the Field. Ethnomusicology 14, 107–14.
Merriam A. 1964. The Anthropology of Music. Evanston: Northwestern University Press.
Merriam A. 1977. Definitions of ‘Comparative Musicology’ and ‘Ethnomusicology’: a historical theoretical perspective. Ethnomusicology 21(2), 189–204.
Muhammad M. et al. 2015. Reflections on researcher identity and power: the impact of positionality on community based participatory research (CBPR) processes and outcomes. Critical Sociology 41(7–8), 1045–1063.
Nettl B. 2005. The Study of Ethnomusicology: Thirty-one Issues and Concepts. New Edition. Urbana: University of Illinois Press.
Notosudirdjo F. S. 2001. Music, Politics, and the Problems of National Identity in Indonesia. Ph.D. dissertation, University of Wisconsin–Madison.
Okazaki Y. 1994. Music, Identity, and Religious Change among the Toba Batak People of North Sumatra. Ph.D. dissertation, University of California.
Perlman M. 1994. American Gamelan in the garden of Eden: intonation in a cross-cultural encounter. The Musical Quarterly, 78(3), 510–555.
Poplawska M. 2004. Wayang Wahyu as an example of Christian forms of shadow theatre. Asian Theatre Journal 21(2), 194–202.
Poplawsk a M. 2011. Christianity and inculturated music in Indonesia. Southeast Review of AsianStudies 33, 186–198.
Poplawska M. 2016. New Christian music in Indonesia: inculturation in transition. In P. Bohlman, J. Engelhardt (eds.), Resounding Transcendence: Transitions in Music, Religion, and Ritual. New York: Oxford University Press, 111–125.
Poplawska M. 2018. Inculturation, institutions, and creation of localized Congregational repertoire in Indonesia. In M. Ingalls, M. Swijghuisen Reigersberg, Z. Sherinian (eds.), Locating Christian Congregational Music: Indigeneity, Cosmopolitanism, and Diversity. Abingdon, New York: Routledge, 133–158.
Poplawska M. 2020. Performing Faith: Christian Music, Identity and Inculturation in Indonesia. Abingdon, New York: Routledge.
Rappoport D. 2004. Ritual music and Christianization in the Toraja Highlands, Sulawesi. Ethnomusicology 48(3), 378–404.
Rasmussen A. K. 2004. Bilateral negotiations in bimusicality: insiders, outsiders, and the “real version” in Middle Eastern music performance. In T. Solís (ed.), Performing Ethnomusicology. Berkeley and Los Angeles: University of California Press, 215–228.
Rice T. 2008. Toward a mediation of field methods and field experience in ethnomusicology. In T. Cooley and G. Barz (eds.), Shadows in the Field, Second Edition. New York: Oxford University Press, 42–61.
Rice T. 2007. Reflections on music and identity in ethnomusicology, Muzikologija 7, 17–38.
Shelemay Kaufman , K. 2008. The ethnomusicologist, ethnographic method, and the transmission of tradition. In T. Cooley & G. Barz (eds.), Shadows in the Field. New York: Oxford University Press.
Shelemay Kaufman K. 2001. Soundscapes: Exploring Music in a Changing World. New York and London: W. W. Norton & Company.
Slobin M. 1994. Music in diaspora: the view from Euro-America. Diaspora: A Journal of Transnational Studies 3(3), 243–251.
Smith L. T. 2012. Decolonizing Methodologies: Research and Indigenous Peoples, Second edition. London: Zed Books.
Solis T. (ed.). 2004. Performing Ethnomusicology: Teaching and Representation in World Music Ensembles. Berkeley and Los Angeles: University of California Press.
Solís T. 2004. Introduction. Teaching what cannot be taught: an optimistic overview. In T. Solís (ed.), Performing Ethnomusicology. Berkeley and Los Angeles: University of California Press.
Steenbrink K. 2015. Catholics in Independent Indonesia: 1945–2010. Brill.
Stokes, M. (ed.). 1994. Ethnicity, Identity and Music: The Musical Construction of Place. Oxford/Providence, USA: Berg Publishers.
Sunquist S. W., W. B. Eerdmans (eds.). 2001. A Dictionary of Asian Christianity, Michigan: Publishing Company.
Titon J. T. 2008. Knowing fieldwork. In T. Cooley & G. Barz (eds.), Shadows in the Field, Second Edition. New York: Oxford University Press, 25–41.
Turino T. 2008. Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press.
Warden N. 2016. Ethnomusicology’s “identity” problem: the history and definitions of a troubled term in music research, El oído pensante 4(2). Retrieved from http://ppct.caicyt.gov.ar/index.php/oidopensante.
Wiebe D. 2017. Contextual Church Reform and the Secularization of ‘Sacred’ Balinese Music and Dance: Forging Protestant/Hindu Music Networks in an Age of Mass Tourism. Ph.D. dissertation, Wesleyan University.
Wilfred F. (ed.). 2014. The Oxford Handbook of Christianity in Asia, New York: Oxford University Press.
Wong D. 2008. Moving: from performance to performative ethnography and back again. In T. Cooley & G. Barz (eds.), Shadows in the Field, Second Edition. New York: Oxford University Press.
Yoder McCulloh L. 1987. The Introduction and Expression of Islam and Christianity in the Cultural Context of North Central Java. Ph.D. dissertation, Fuller Theological Seminary, School of World Mission.