Publisher:

Instytut Badań Literackich ; Fundacja Akademia Humanistyczna

Place of publishing:

Warszawa

Description:

453 pp.

Type of object:

Book/Chapter

References:

1. Biggs Simon (2012) Remediating the Social, w: Remediating the Social, ed. S. Biggs, Bergen: ELMCIP, University of Bergen, s. 11-14, http://www.elmcip.net/story/remediating-social-e-book-released (10.11.2013).
2. Biggs Simon, Travlou, Penny (2010) Distributed Authorship and Creative Communities, „Dichtung digital” no. 41, http://www.dichtung-digital.org/2012/41/biggs-travlou.htm, (11.10.2013).
3. Cabell Mimi, Cayley John i in. (2012) Invisible Participation: Language and the Internet, w: Remediating the Social, ed. S. Biggs, Bergen: ELMCIP, University of Bergen, s. 134-137, http://www.elmcip.net/story/remediating-social-e-book-released (10.11.2013).
4. Celiński Piotr (2013) Postmedia. Cyfrowy kod i bazy danych. Lublin: Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej.
5. Dróżdż Andrzej (2009) Od liber mundi do hipertekstu. Książka w świecie utopii. Warszawa: Biblioteka Analiz.
6. Electronic Literature Organization CELL Consortium on Electronic Literature, http://eliterature.org/cell/ (10.12.2013).
7. Electronic Literature Organization, Electronic Literature Collection, 2006 Volume 1, 2011 Volume 2, http://collection.eliterature.org/ (10.12.2013).
8. ELMCIP (2012) Anthology of European Electronic Literature, http://anthology.elmcip.net/ (10.12.2013).
9. Fischer Gerhard (2011) Understanding, Fostering, and Supporting Cultures of Participation, „Interactions” vol. 18, no. 3, s. 42-53, http://l3d.cs.colorado.edu/~gerhard/papers/2011/interactions-coverstory.pdf (12.11.2013).
10. Fischer Gerhard (2012) Cultures of Participation, http://www.uni-siegen.de/infme/start_ifm/downloads/tagungen/slides-cultures-of-participation-siegen_fischer.pdf (12.11.2013).
11. Flores Leonardo (29.12.2012) Taroko Gorge [2012 remix] by Nick Montfort, http://iloveepoetry.com/?p=121 (13.10.2013).
12. Flores Leonardo (02.01.2013) Sea and Spar Between by Nick Montfort and Stephanie Strickland, http://iloveepoetry.com/?p=117 (13.10.2013).
13. Fuller Matthew (ed.) (2008) Software Studies: A Lexicon, Cambridge: The MIT Press.
14. Funkhouser Chris (2007) Prehistoric Digital Poetry. An Archeology of Forms, 1959-1995. Tuscaloosa: University of Alabama Press.
15. Gibson Steve (2008) Introduction: Why Transdisciplinary Digital Art?, w: Transdisciplinary Digital Art. Sound, Vision and the New Screen, ed. R. Adams,
16. S. Gibson, S. Müller Arisona. Heidelberg: Springer-Verlag Publications, s. 1-2.
17. Glazier Loss Pequeno (2002) Digital Poetics: The Making of E-Poetries. Tuscaloosa: The University of Alabama Press.
18. Grigar Dene (28.12.2008) Electronic Literature: Where Is It?, „Electronic Book Review”, http://www.electronicbookreview.com/thread/technocapitalism/invigorating (10.09.2013).
19. Grigar Dene (2009) The 24-Hr. Micro-Elit Project. 24-Hrs. 24 Stories. All on Twitter, http://www.nouspace.net/dene/24hr/24-Hr._Micro-Elit_Project/Home.html (20.10.2013).
20. Grossman Samantha (16.06.2013) The Meme as Art: Painter Sophisticates Cyberculture, http://newsfeed.time.com/2013/06/16/the-meme-as-artpainter-sophisticates-cyberculture/ (09.10.2013).
21. Hayles N. Katherine (02.01.2007) Electronic Literature: What Is It?, http://eliterature.org/pad/elp.html (10.09.2013).
22. Hopfinger Maryla (2010) Literatura i media po 1989 roku. Warszawa: Oficyna Naukowa.
23. Keen Andrew (2007) Kult amatora. Jak internet niszczy kulturę, przeł. M. Bernatowicz, K. Topolska-Gharini. Warszawa: Wydawnictwa Akademickie i Profesjonalne.
24. Knibbs Kate (23.06.2013) Are Memes the Pop Culture Art of our Era?, http://www.digitaltrends.com/social-media/when-does-a-meme-become-art/(9.10.2013).
25. Jenkins Henry (2007) Kultura konwergencji. Zderzenie starych i nowych mediów, przeł. M. Bernatowicz, M. Filiciak. Warszawa: Wydawnictwa Akademickie i Profesjonalne.
26. Jenkins Henry (2009) Confronting the Challenges of Participatory Culture: Media Education of the 21st Century. Cambridge: The MIT Press.
27. Karpinska, Aya, Howe Daniel C. (2007) No Time Machine, http://turbulence.org/Works/notime/about.html (18.10.2013).
28. Kluszczyński Ryszard (2010) Sztuka interaktywna. Od dzieła-instrumentu do interaktywnego spektaklu. Warszawa: Wydawnictwa Akademickie i Profesjonalne.
29. Lessig Lawrence (2009) Remiks. Aby sztuka i biznes rozkwitały w hybrydowej gospodarce, przeł. R. Próchniak. Warszawa: Wydawnictwa Akademickie i Profesjonalne.
30. Levinson Paul (2010) Nowe nowe media, przeł. M. Zawadzka. Kraków: Wydawnictwo WAM.
31. Malloy Judy (01.12.2012) Uncle Roger – World Wide Web Edition, http://www.well.com/user/jmalloy/uncleroger/partytop.html (10.10.2012).
32. Malloy Judy (b.r. A) The BASIC Uncle Roger – Beta Version_2, http://www. well.com/user/jmalloy/uncleroger/uncle_readme.html (10.10.2012).
33. Malloy Judy (b.r. B), How new media writers create their work. Nick Montfort and Stephanie Strickland Sea and Spar Between, http://www.narrabase.net/montfort_strickland.html (13.10.2013).
34. Manovich Lev (2013) Software Takes Command. New York-London: Bloomsbury.
35. Marshall Cathy, Malloy Judy (b.r.) Forward Anywhere, http://www.eastgate.com/catalog/ForwardAnywhere.html (10.10.2012).
36. Montfort Nick (2009) Taroko Gorge, http://nickm.com/poems/taroko_gorge.html (13.10.2013).
37. Montfort Nick, Strickland, Stephanie (2011) How to Read Sea and Spar Between, http://nickm.com/montfort_strickland/sea_and_spar_between/ reading.html (11.10.2013).
38. Montfort Nick (2012) Programming for Fun, Together, w: Remediating the Social, ed. S. Biggs, Bergen: ELMCIP, University of Bergen, s. 15-19, http://www.elmcip.net/story/remediating-social-e-book-released (10.11.2013).
39. Moulthrop Stuart (b.r.) Where To? A Review of Forward Anywhere by Judy Malloy and Cathy Marshall, http://www.eastgate.com/reviews/Moulthrop.html (10.10.2012).
40. Pisarski Mariusz (2012) Tomasz Pułka kontra Google, http://www.ha.art.pl/prezentacje/27-proza/2584-tomasz-pulka-kontra-google.html (20.10.2013).
41. Pollack Barbara (06.01.2011) The Social Revolution, http://www.artnews. com/2011/06/01/the-social-revolution/ (10.10.2013).
42. Redakcja Korporacja Ha!art (2012) Redakcja – Tomasz Pułka kontra Google. Darmowe warsztaty sieciowej literatury generatywnej według Johna Cayley’a, http://www.ha.art.pl/wiadomosci/2556 (20.10.2013).
43. Rettberg Scott (2009) Communitizing Electronic Literature, „Digital Humanities” vol. 3, no. 2, http://digitalhumanities.org/dhq/vol/3/2/000046/000046.html (02.11.2013).
44. Rettberg Scott (2012) Developing an Identity for the Field of Electronic Literature. Reflections on the Electronic Literature Organization Archives, „Dichtung digital” no. 41, http://www.dichtung-digital.de/en/journal/archiv/?postID=252 (02.11.2013).
45. Rettberg Scott, Tomaszek, Patricia (2012) Electronic Literature Communities, Part 1, „Dichtung digital” no. 41, http://dichtung-digital.de/editorial/2012_41.htm (02.11.2013).
46. Simanowski Roberto (2010) Teaching Digital Literature. Didactic and Institutional Aspects. w: Reading Moving Letters, ed. R. Simanowski, J. Schäfer, P. Gendolla, Bielefeld: Transcript Verlag, s. 231-248.
47. Strehovec Janez (2012) Derivative Writing. E-literature in the World of New Social and Economic Paradigms, w: Remediating the Social, ed. S. Biggs, s. 79-83, http://www.elmcip.net/story/remediating-social-e-book-released (10.11.2013).
48. Święćkowska Teresa (2008) Wolne oprogramowanie i Open Access. Utopie internetowe czy fenomeny informacyjnego kapitalizmu?, w: Spotkania z utopią w XXI wieku, red. P. Żuk, Warszawa: Oficyna Naukowa.
49. Zawojski Piotr (2012) Cyberkultura. Syntopia sztuki, nauki i technologii. Katowice: POLTEXT.

Relation:

Prace Centrum Humanistyki Cyfrowej

Start page:

43

End page:

67

Detailed Resource Type:

Article : original article

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:62974 ; 10.18318/978-83-65573-14-8.3

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Free Access

Terms of use:

Copyright-protected material. May be used within the limits of statutory user freedoms

Digitizing institution:

Institute of Literary Research of the Polish Academy of Sciences

Access:

Open