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Teksty Drugie Vol. 2 (2013) - Special Issue - English Edition
Didi-Huberman, Georges ; Farocki, Harun ; Holokaust ; reprezentacja ; etyka
1. F. Camper, Sound and Silence in Narrative and Nonnarrative Cinema, w: Film Sound. Theory and Practice, ed. E. Weis and J. Belton, Columbia University Press, New York 1985, s. 377.
2. G. Didi-Huberman, Images malgré tout, w: Memoire des camps. Photographies des camps de concentration et d’extermination nazis (1933-1999), dir. C. Cheroux, Marval, Paris 2001.
3. G. Didi-Huberman, Obrazy mimo wszystko, przeł. M. Kubiak Ho-Chi, Universitas, Kraków 2007.
4. T. Elsaesser, Holocaust Memory as the Epistemology of Forgetting? Re-wind and Postponement in ‘Respite’, w: Harun Farocki. Against What? Against Whom?, ed. A. Ehmann, K. Eshun, Koenig Books, London 2009, s. 56.
5. H. Foster, Vision Quest. The Cinema of Harun Farocki, „Artforum” November 2004, s. 156.
6. A. Leśniak, Ukryte obrazy Alfredo Jaara. Konfiguracja widzialnego, „Konteksty” 2010 nr 1(288).
7. J.F. Lyotard, Discours, figure, Klinksieck, Paris 1971.
8. J. Rancière, L’inconscient esthétique, Galilée, Paris 2001, s. 9-10.
oai:rcin.org.pl:51962 ; 0867-0633
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Aug 31, 2023
Feb 26, 2015
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https://rcin.org.pl./publication/71318
Leśniak, Andrzej
Vojvodík, Josef
Vojvodík, Josef
Liszka, Katarzyna
Obirek, Stanisław
Alphen, Ernst van Sendyka, Roma Bojarska, Katarzyna