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21 cm ; Tekst pol., streszcz. ang.
1. R. Barthes, La peinture est-elle un langage?, w: tegoż, Oeuvres complètes, t. 3, Paris 2002, s. 99.
2. J. Milton, Raj uracony, przeł. M. Słomczyński, posł. J. Strzetelski, Wydawnictwo Literackie, Kraków 1986, s. 5.
3. A. Pruszyński, Dobre maniery Stefana Themersona, słowo/obraz terytoria, Gdańsk 2005.
4. A. Pruszyński, O grach intersemiotycznych Stefana Themersona, w: Archiwum Themersonów w Polsce, red. A. Dziadek, D. Rott, Katowice 2003, s. 33-74.
5. K. Schwitters, Raul Hausmann and the story of PIN, introduced by J. Reichardt, designed by A. Lovell, Gaberbocchus Press, London 1962.
6. S. Themerson, Apollinaire's Lyrical Ideograms, Gaberbocchus Press, London 1968.
7. S. Themerson, Jankel Adler. An artist seen from one of many possible angles. With twelve full page drawings by Jankel Adler, Gaberbocchus Press, London 1948.
8. S. Themerson, Kurt Schwitters in England: 1940-1948, Gaberbocchus Press, London 1958, s. 9.
9. S. Themerson, Kurt Schwitters on a time chart, "Typographica" 1967 nr 16.
10. S. Themerson, Semantic Divertissements, Gaberbocchus Press, London 1962.
11. S. Themerson, St Francis and the Wolf of Gubbio, De Harmonie, London and Amsterdam 1972.
oai:rcin.org.pl:51701 ; 0867-0633
IBL PAN, call no. P.I.2524 ; click here to follow the link
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Institute of Literary Research of the Polish Academy of Sciences
Library of the Institute of Literary Research PAS
Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund
Oct 10, 2023
Feb 16, 2015
1051
https://rcin.org.pl./publication/68053
Edition name | Date |
---|---|
Dziadek A. - Themerson i Schwitters | Oct 10, 2023 |
Hejmej, Andrzej
Śniecikowska, Beata