Inny tytuł:

Vol. 2 (2014) - Special Issue - English Edition

Wydawca:

IBL PAN

Miejsce wydania:

Warszawa

Opis:

21 cm ; Tekst pol., streszcz. ang.

Typ obiektu:

Czasopismo/Artykuł

Bibliografia:

1. J. Adams, “Cities Under a Sky of Mud: Landscapes of Mourning in Holocaust Texts,” in Land and Identity: Theory, Memory, and Practice, ed. Ch. Berberich and N. Campbell (Amsterdam: Rodopi, 2012).
2. D. Apel, Memory Effects: The Holocaust and the Art of Secondary Witnessing (New Brunswick and London: Rutgers University Press, 2002).
3. U. Baer, Spectral Evidence. The Photography of Trauma (Cambridge, MA and London: MIT Press, 2002).
4. K. Ball, “For and Against the Bilderverbot: The Rhetoric of ’Unrepresentability’ and Remediated ’Authenticity’ in the German Reception of Steven Spielberg’s Schindler’s List,” in Visualizing the Holocaust: Documents, Aesthetics, Memory, ed. D. Bathrick, B. Prager, M. D. Richardson (Rochester: Camden House, 2008), 163–185.
5. R. Barthes, Camera Lucida. Reflections on Photography, trans. R. Howard (New York: Hill and Wang, 1981).
6. D. Bathrick, “Introduction: Seeing Against the Grain: Re-visualizing the Holocaust,” in Visualizing the Holocaust: Documents, Aesthetics, Memory, ed. D. Bathrick, B. Prager, M. D. Richardson (Rochester: Camden House, 2008).
7. M. Bratu Hansen, “Schindler’s List Is Not Shoah: The Second Commandment, Popular Modernism, and Public Memory,” Critical Inquiry 22 (2) (1996): 300–302.
8. J. Cayrol, Nuit et brouillard (Paris: Fayard, 1997).
9. T. Cole, “Crematoria, Barracks, Gateway: Survivors’ Return Visits to the Memory Landscapes of Auschwitz,” History and Memory 25 (2) (2013).
10. T. Cole, Selling the Holocaust. From Auschwitz to Schindler. How History Is Bought, Packed and Sold (New York: Routledge, 2000).
11. G. Didi-Huberman, Images in Spite of All: Four Photographs from Auschwitz, trans. Sh. B. Lillis (Chicago: Chicago University Press, 2008).
12. G. Didi-Huberman, “The Site, Despite Everything,” in Claude Lanzmann’s Shoah. Key Essays, ed. S. Liebman (Oxford and New York: Oxford University Press, 2007).
13. M. Gilbert, Holocaust Journey: Travelling in Search of the Past (London: Weidenfeld & Nicolson, 1997).
14. V. Goldberg, The Power of Photography: How Photographs Changed Our Lives (New York: Abbeville Press, 1991).
15. G. Hartman, The Longest Shadow (Bloomington: Indiana University Press, 1996).
16. M. Hirsch, “Past Lives: Postmemories in Exile,” Poetics Today 17(4) (1996).
17. M. Hirsch, “Surviving Images,” in The Generation of Postmemory: Writing and Visual Culture after the Holocaust (New York: Columbia University Press, 2012).
18. M. Hirsch and L. Spitzer, Ghosts of Home: The Afterlife of Czernowitz in Jewish Memory (Berkeley and London: University of California Press, 2010).
19. E. Hoffman, After Such Knowledge. Memory, History, and the Legacy of the Holocaust (London: Secker & Warburg, 2004).
20. E. Hoffman, Shtetl: The Life and Death of a Small Town and the World of Polish Jews (Boston: Houghton Mifflin, 1997).
21. B. A. Kaplan, Landscapes of Holocaust Postmemory (New York and London: Routledge, 2011).
22. R. Klüger, Landscapes of Memory: A Holocaust Girlhood Remembered (London: Bloomsbury 2004).
23. E. Kosofsky Sedgwick, “Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is about You,” in Touching, Feeling: Affect, Pedagogy, Performativity (Durham and London: Duke University Press, 2003).
24. R. Krauss, “Notes on the Index: Part 1,” in The Originality of the Avant-Garde and Other Modernist Myths (Cambridge, MA and London: MIT Press, 1987).
25. S. Küchler, “Landscape as Memory: The Mapping of Process and Its Representation in a Melanesian Society,” in Landscape: Politics and Perspectives, ed. B. Bender (Providence, RI and Oxford: Berg, 1993), 85–106.
26. D. LaCapra, “Lanzmann’s Shoah: Here There Is No Why,” in History and Memory after Auschwitz (Ithaca: Cornell University Press, 1998).
27. A. Landsberg, Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture (New York: Columbia University Press, 2004).
28. C. Lanzmann, “Le monument contre l’archive? (entretient avec Daniel Bougnoux, Régis Debray, Claude Mollard et al.),” Les Cahiers de médiologie 11 (2007):274.
29. C. Lanzmann, R. Larson, D. Rodowick, “Seminar with Claude Lanzmann,” Yale French Studies (1990): 97.
30. P. Nora, “Between Memory and History: Les Lieux de Mémoire,” trans. M. Roudebush, Representations 26 (1989).
31. M. Olin, Touching Photographs (Chicago: University of Chicago Press, 2012).
32. E. Panofsky, “Et in Arcadia Ego. Poussin and the Elegiac Tradition,” in Meaning and the Visual Arts: Papers in and on Art History (Garden City: Doubleday Anchor Books, 1955).
33. M. Rothberg, “Between the Extreme and the Everyday: Ruth Klüger’s Traumatic Realism,” in Extremities. Trauma, Testimony, and Community, ed. N. K. Miller, J. D. Tougaw (Urbana and Chicago: University of Illinois Press, 2002).
34. M. Rothberg, Traumatic Realism. The Demands of Holocaust Representation (Minneapolis–London: University of Minnesota Press, 2000).
35. Ch. Sanders Peirce, “Logic as Semiotics: The Theory of Signs,” in Philosophic Writings of Peirce (New York: Dover Publications, 1955).
36. S. Schama, Landscape and Memory (London: Fontana Press, 1996).
37. R. Sendyka, “Pryzma – zrozumieć nie-miejsce pamięci,” Teksty Drugie 1–2 (2013): 323-344.
38. T. Snyder, Bloodlands: Europe Between Hitler and Stalin (New York: Basic Books, 2010).
39. S. Sontag, On Photography (New York: Farrar, Straus and Giroux, 1977).
40. M. Tulli, Włoskie szpilki (Warszawa: Nisza, 2011).
41. A. Whitehead, “Geoffrey Hartmann and the Ethics of Place: Landscape, Memory, Trauma,” European Journal of English Studies 7(3) (2003).
42. A. Whitehead, Trauma Fiction (Edinburgh: Edinburgh University Press, 2004).
43. J. E. Young, The Texture of Memory: Holocaust Memorials and Meaning (New Haven: Yale University Press, 1993).
44. B. Zelizer, “Introduction: On Visualizing the Holocaust,” in Visual Culture and the Holocaust, ed. B. Zelizer (London: The Athlone Press, 2001).
45. B. Zelizer, Remembering to Forget: Holocaust Memory Through the Camera’s Eye, (Chicago and London: The University of Chicago Press, 1998).

Czasopismo/Seria/cykl:

Teksty Drugie

Zeszyt:

1

Strona pocz.:

255

Strona końc.:

278

Szczegółowy typ zasobu:

Artykuł naukowy oryginalny

Format:

application/pdf

Identyfikator zasobu:

oai:rcin.org.pl:64225 ; 0867-0633 ; 10.18318/td.2016.en.1.15

Źródło:

IBL PAN, sygn. P.I.2524 ; kliknij tutaj, żeby przejść

Język:

eng

Język streszczenia:

Prawa:

Prawa zastrzeżone - dostęp nieograniczony

Zasady wykorzystania:

Zasób chroniony prawem autorskim. Korzystanie dozwolone w zakresie określonym przez przepisy o dozwolonym użytku.

Digitalizacja:

Instytut Badań Literackich Polskiej Akademii Nauk

Lokalizacja oryginału:

Biblioteka Instytutu Badań Literackich Polskiej Akademii Nauk

Dostęp:

Otwarty