21 cm ; Tekst pol., streszcz. ang.
1. G. Agamben, Aby Warburg and the Nameless Science, w: tegoż Potentialities, Stanford University Press, Stanford 1999, s. 89-103.
2. G. Agamben, Philosophical Archeology, w: tegoż The Signature of All Things, s. 89.
3. G. Agamben, What is a Paradigm?, w: tegoż The Signature of All Things. On Method, trans. by L. D’Isanto, K. Atteli, Zone Books, New York 2009, s. 27-28.
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5. E. Gombrich, The Nineteenth Century Notion of a Pagan Revival, w: Art History as Cultural History, s. 61.
6. E. Gombrich, Wartburg Centenary Lecture, w: Art History as Cultural History, s. 39.
7. M. Heidegger, Źródła dzieła sztuki, przeł. J. Mizera, w: tegoż Drogi lasu, Fudacja Aletheia, Warszawa 1997, s. 27.
8. A. Negri, G. Agamben, The Discret Taste of Dialectics, w: Giorgio Agamben. Sovereignty & Life, ed. by M. Calacaro, S. DeCaroli, Stanford University Press, Stanford 2007, s. 117.
9. M. Rampley, Mimesis and Allegory. On Aby Warburg and Walter Benjamin, w: Art History as Cultural History, s. 143-144.
10. A. Warburg, The Entry of the Idealizing Classical Style in the Painting of Early Renaissance, trans. by M. Rampley, w: Art History as Cultural History. Warburg’s Project, ed. by R. Woodfield, G+B Arts International, Amsterdam 2001, s. 8.
11. A. Warburg, W.F. Mailand, A Lecture on Serpent Ritual , „Journal of the Warburg Institute” 1939 vol. 2, no. 4, s. 277-292, przykład podany na s. 290.
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Apr 14, 2023
Oct 14, 2014
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https://rcin.org.pl./publication/66019
Edition name | Date |
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Koczanowicz L. - Czy kulturoznawstwo potrzebuje filozofii? Warburg i Agamben o filozofii i nauce o kulturze | Apr 14, 2023 |
Cielemęcka, Olga
Bojarska, Katarzyna