Teoretycy literatury i nazwy własne (uwagi wstępne)

Graf, Magdalena; Graf, Paweł

doi:10.17651/ONOMAST.63.2

Przejdź do menu głównego
Przejdź do wyszukiwarki
Przejdź do treści
Przejdź do stopki

Pobierz

Tytuł: Teoretycy literatury i nazwy własne (uwagi wstępne)

Abstrakt:

The article expands and modifies the contexts in which literary onomastics currently operates. This strictly interdisciplinary field of research, primarily originating from linguistics, has sought out the contexts that triggered non-obvious meanings of names readable in the artistic work from the outset. The references were varied – stylistics, textology, philosophy, structural poetics. All of them significantly enriched onomastic nalyses, leaving some fundamental sense of insufficiency at the same time. That is the reason why we propose the project of the connection between literary onomastics and — now extremely extensive — theoretical thought. The article is not the end of this discussion, but rather an exploratory study and the beginning of scientific research. Consequently, there is no one ordering and chronological concept with a clear conclusion, but the main aim is to show the analysis of the claims relevant for further research. Therefore, several concepts of theoreticians interested in proper names in literature were discussed (far from a common phenomenon in this case). From the research projects analyzed, including among others: U. Eco, J.F. Lyo tard, P. de Man, there emerges a clear conviction of the need to end the search for a referential, texted name. In this place it refers, on the one hand, to itself, establishing its own unreal meaning (image-forming, phonic, intertextual); on the other, it concerns the author’s system of naming (and beyond), which is also an epistemological concept. The starting point of these diagnoses was the thoroughly interpreted self-analysis of artistic works made by Marcel Proust; for further analysis, the thesis of Walter Benn Michaels was also employed, which brings interest in proper names from literature to the domain of artistic experiences. The conducted analysis (designing future literary onomastic research) leads to the final conclusion that the proper name indicates the essence itself, the arche of our existence.