Metadata language
Tyrania oka, pokora ucha? O potrzebie sound studies
Subtitle: Creator: Publisher: Place of publishing: Date issued/created: Description:
21 cm ; Od 2002, nr 1/2 wyd.: Stowarzyszenie "Pro Cultura Litteraria"
Type of object: Subject and Keywords:sound studies ; antropologia ; media
References:
1. J. Attali, Noise: The Political Economy of Music, University of Minnesota Press, Minneapolis/London 1985.
2. G. Bachelard, Kształtowanie się umysłu naukowego. Przyczynek do psychoanalizy wiedzy obiektywnej, przeł. D. Leszczyński, Gdańsk 2008.
3. A. Bosetti, African Feedback, Errant Bodies Press, Berlin 2006.
4. D. Cascella, En Abîme: Listening, Reading, Writing. An Archival Fiction, Zero Books, Winchester-Washington 2012.
5. E. Condillac, Traktat o wrażeniach, przeł. W. Wojciechowska, Warszawa 1958.
6. Doing Cultural Studies. The Story of Sony Walkman, ed. by P. du Gay, Sage Publications 2013.
7. P. Doyle, Echo and Reverb: Fabricating Space in Popular Music Recording, 1900–1960, Wesleyan University Press, Middletown 2005.
8. K. Eshun, More Brillant Than the Sun: Adventures in Sonic Fiction, Quartet Books, London 1998.
9. H. Foster, Powrót realnego. Awangarda u schyłku XX wieku, przeł. M. Borowski, M. Sugiera, Kraków 2010.
10. M. Foucault, Nadzorować i karać. Narodziny więzienia, przeł. T. Komendant, Warszawa 1993.
11. S. Goodman, Sonic Warfare. Sound, Affect, and the Ecology of Fear, The MIT Press, Cambridge-London 2012.
12. Jaeglé, Portret oratorski Gilles’a Deleuze’a o kocim spojrzeniu, przeł. M. Jacyno, Warszawa 2013.
13. Kapchan, Traveling Spirit Masters. Moroccan Gnawa Trance and Music in the Global Marketplace, Wesleyan University Press, Middletown 2007.
14. Kelly, Craked Media. The Sound of Malfunction, MIT Press, Cambridge-London 2009.
15. B. LaBelle, Acoustic Territories. Sound Culture and Everyday Life, Continuum, London 2010.
16. B. LaBelle, Background Noise: Perspectives on Sound Art., Continuum, London 2006.
17. B. LaBelle, Lexicon of the Mouth. Poetics and Politics of Voice and the Oral Imaginary, Bloomsbury, New York-London 2014.
18. J. Lacan, Le Séminaire. Livre XI. Les quatre concepts fondamentaux de la psychanalyse, Éditions du Seuil, Paris 2014.
19. L. Meintjes, Sound of Africa!: Making Music Zulu in a South African Studio, Duke University Press, Durham & London 2003.
https://doi.org/10.1215/9780822384632
20. Ch. Migone, Sonic Somatic. Performances of the Unsound Body, Errant Bodies Press, Berlin 2012.
21. T. Misiak, Kulturowe przestrzenie dźwięku, Poznań 2013.
22. M. Munro, Different Drummers: Rhythm and Race in the Americas, University of California Press, Berkeley & Los Angeles 2010.
https://doi.org/10.1525/california/9780520262829.001.0001
23. L. Niebur, Special Sound. The Creation and Legacy of the BBC Radiophonic Workshop, Oxford University Press, Oxford 2010.
https://doi.org/10.1093/acprof:oso/9780195368406.001.0001
24. The Oxford Handbook of Sound Studies, edited by T. Pinch, K. Bijsterveld, Oxford University Press, Oxford 2012.
25. Ch. Partridge, Dub in Babylon. Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-Punk, Equinox, London-Oakville 2010.
26. N.E. Restif de la Bretonne, Noce paryskie, przeł. J. Sell, Kraków 1981.
27. S. Reynolds, Retromania. Pop Culture’s Addiction to Its Own Past, Faber&Faber, London 2011.
28. L. E. Schmidt, Hearing Things. Religion, Illusion, and the American Enlightenment, Harvard University Press, Cambridge 2000.
29. H. Schwartz, Making Noise. From Babel to the Big Bang & Beyond, Zone Books, New York 2011.
30. J. Starobinski, 1789. Emblematy rozumu, przeł. M. Ochab, Warszawa 1997.
31. J. Sterne, The Audible Past. Cultural Origins of Sound Reproduction, Duke University Press, Durham & London 2003.
https://doi.org/10.1215/9780822384250
32. Sound, ed. by C. Kelly, Whitechapel Gallery & MIT Press, Cambridge-London 2011.
33. The Sound Studies Reader, edited by J. Sterne, Routledge, London and New York 2012.
34. O. Szwabowski, Uniwersytet – fabryka – maszyna. Uniwersytet w perspektywie radykalnej, Warszawa 2014.
35. Toop, Haunted Weather. Music, Silence and Memory, Serpent’s Tail, London 2004.
36. D. Toop, Ocean of Sound. Aether Talk, Ambient Sound and Imaginary Worlds, Serpent’s Tail, London 1995.
37. D. Toop, Sinister Resonance. The Mediumship of the Listener, Continuum, London 2011.
38. S. Voegelin, Listening to Noise and Silence. Towards a Philosophy of Sound Art, Continuum, London 2011.
39. S. Voegelin, Sonic Possible Worlds. Hearing Continuum of Sound, Bloomsbury, New York 2014.
40. S. Weiss, Varietes of Audio Mimesis: Musical Evocations of Landscape, Errant Bodies Press, Berlin 2008.
41. R. Young, Electric Eden. Unearthing Britain’s Visionary Music, Faber&Faber, New York 2011.
42. S. Zielinski, Archeologia mediów. O głębokim czasie technicznie zapośredniczonego słuchania i widzenia, przeł. K. Krzemieniowa, Warszawa 2010.
click here to follow the link ; IBL PAN, sygn. P.I.2524
Language: Language of abstract: Rights:Prawa zastrzeżone - dostęp nieograniczony
Terms of use: Digitizing institution:Instytut Badań Literackich Polskiej Akademii Nauk
Original in:Biblioteka Instytutu Badań Literackich Polskiej Akademii Nauk
Access: