Żywotne widmo "Metropolis". Cyberpunkowe obrazy w modowym spektaklu

Guja, Jowita

doi:0867-0633

- ris
- BibTeX
- EndNote
- Csv

Żywotne widmo "Metropolis". Cyberpunkowe obrazy w modowym spektaklu Guja, Jowita

Object structure

Żywotne widmo "Metropolis". Cyberpunkowe obrazy w modowym spektaklu

Teksty Drugie Nr 6 (2021)

21 cm ; Tekst pol., streszcz. ang.

cyberpunk ; moda ; film ; studia nad modą ; wyobraźnia futurystyczna

1. Bolton A., Alexander McQueen Savage beauty, The Metropolitan Museum of Art, New York, 2011.
2. Bolton, R. Hell, J. Lydow, J. Savage Punk: chaos to couture, The Metropolitan Museum of Art, New York, 2013.
3. Butchart A. The fashion of film. How cinema has inspired fashion, Mitchell Beazley, Octopus Publishing Group. New York, 2016.
4. de Saint-Point Valentine Manifesto of the futurist woman, Governing Group of the Futurist Movement, Italy, 1912.
5. Derrida J. Widma Marksa. Stan długu, praca żałoby i nowa Międzynarodówka, tłum. Załuski T., Wydawnictwo Naukowe PWN, Warszawa, 2019.
6. English B. A cultural history of fashion in the 20th and 21st centuries. From catwalk to sidewalk, Bloomsbury, London, New York 2013.
7. English B. Japanese fashion designers: the work and influence of Issey Miyake, Yohji Yamamoto and Rei Kawakubo, UK: Berg, Oxford, 2011.
8. Evans C. Fashion at the edge, Yale University Press, New Heaven-London, 2003.
9. Faludi S. Reakcja. Niewypowiedziana wojna przeciw kobietom, Wydawnictwo Czarna Owca, Warszawa, 2013.
10. Feldman Ch. J. We are the mods: a transational history of youth subculture, Peter Lang, New York, 2009.
11. Fukai A., Vinken B., Frankel S., Kurino H. Future Beauty. 30 years of japanese fashion, Merell, London, New York, 2011.
12. Fogg M. (red.) Historia mody, Wydawnictwo Arkady, Warszawa 2016.
13. Foster T. The souls of cyberfolk: posthumanism as vernacular theory, U of Minnesota P, 2005.
14. Gibson W. Graf Zero, tł. P. Cholewa, Zysk i S-ka Wydawnictwo, Poznań 1999.
15. Gibson W., Neuromancer, tł. P. Cholewa, Piotr W. , "Fenix", "Alkazar", Warszawa 1992.
16. Gibson W. Mona Liza Turbo, tł. P. Cholewa; Zysk i S-ka Wydawnictwo, Poznań 1997.
17. Haraway D. A Cyborg manifesto: science, technology, and socialist-feminism in the late 20th century. In: Weiss J., Nolan J., Hunsinger J., Trifonas P. (eds) The international handbook of virtual learning environments, Springer, 2006.
18. Haenfler R., Goths, gamers, and grrrls: deviance and youth subcultures. Oxford University Press, New York 2009
19. Hussein Chalayan from fashion and back, red. Yuko Hasegawa, Kentaro Oshita Bijutsu Shuppan-Sha, Tokyo 2010.
20. Jameson F. Postmodernism, or, the cultural logic of late capitalism. Duke UP, 1991.
21. Kawamura Y. Fashion-ology: Intruduction to fashion studies, Bloomsbury, London, 2018.
22. Kelly I. Vivienne Westwood, tł. A. Rojkowska, Bukowy Las, Wrocław 2016.
23. Klein N. No logo: bez przestrzeni, bez wyboru, bez pracy, tł. M. Halaba, H. Jankowska, K. Makaruk, Warszawskie Wydawnictwo Literackie Muza, Warszawa 2016.
24. Mirzoeff N. "What is visual culture?" The visual culture reader, red. y Nicholas Mirzoeff, Routledge, 1998
25. Murphy G., Schmeink L. (red.) Cyberpunk in visual culture, Routledge, London-New York, 2018.
26. Quinn B. Techno fashion, Berg, Oxford and New York, 2002.
27. Punk, the whole story, red. M. Blake, DK, New York, 2008.
28. Rabaté J.M. The ghost of modernity, University Press of Florida, Gainsville. 1996.
29. Street S. Costume and cinema. Dress codes in popular Film, Wallflower, London- New York 2001.
30. Svedensen L. Fashion: a philosophy, Reaktion Books, London, 2006.
31. The subcultures reader red. Ken G. Routledge, London 2005.
32. Vint Sh. Afterword. Beyond cyberpunk: new critical perspectives, red. G. J. Murphy and Sherryl Vint. Routledge, 2010.
33. Vogue. The editor's eye red. E. MacSweeney, ABRAMS, New York, 2012.
34. Wilson E. Adorned in dreams: fashion and modernity, Virago, London, 2003.