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Instytut Badań Literackich ; Fundacja Akademia Humanistyczna
Place of publishing: Date issued/created: Description: Type of object: Subject and Keywords:visual media ; software ; aesthetics
References:
1. Berry David M. (2011) The Philosophy of Software Code and Mediation in the Digital Age. New York-Houndmills: Palgrave Macmillan.
2. Berry David M. (2012) Abduction Aesthetic: Computationality and the New Aesthetic, http://stunlaw.blogspot.com/2012/04/abduction-aesthetic-computationality.html (10.12.2013).
3. Friedberg A. (2012) Wirtualne okno, od Albertiego do Microsoftu, przeł. A. Rejniak-Majewska, M. Pabiś-Orzeszyna, Warszawa: Oficyna Naukowa.
4. Manovich L. (1999) Avant garde as Software, http://manovich.net/DOCS/avantgarde_as_software.doc (03.02.2014).
5. Manovich L. (2002) The Language of New Media. London: The MIT Press.
6. Manovich L. (2006) Język Nowych Mediów, przeł. P. Cypryański, Warszawa: Wydawnictwa Akademickie i Profesjonalne.
7. Manovich L. (2007) Understanding Hybrid Media, www.manovich.net/DOCS/hybrid_media_pictures.doc (03.02.2014).
8. Manovich L. (2008) Software Takes Command, http://lab.softwarestudies.com/2008/11/softbook.html (03.05.2010).
9. Manovich L. (2011) Inside Photoshop, w: Computational Culture, http://computationalculture.net/article/inside-photoshop (08.12.2013).
10. Manovich L. (2013) Software Takes Command. New York: Bloomsburry.
11. Michelsen A. (2006) The Imaginary of the Artificial Automata, Models, Machinics – On Promiscuous Modeling as Precondition for Poststructuralist Ontology, w: New Media, Old Media: A History and Theory Reader, ed. W. Hui Kyong Chun, Thomas Keenan. New York: Routledge Taylor & Francis Group.
12. Thorburn David, Jenkins H. (2003) Introduction: Toward an Aesthetics of Transition, w: Rethinking Media Change: The Aesthetics of Transition. ed. D. Thorburn, H. Jenkins. Cambridge: The MIT Press.
Prace Centrum Humanistyki Cyfrowej
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