Metadata language
21 cm ; Tekst pol., streszcz. ang.
Type of object: Subject and Keywords:Didi-Huberman, Georges ; Farocki, Harun ; Holocaust ; representation ; ethics
References:
1. F. Camper, Sound and Silence in Narrative and Nonnarrative Cinema, w: Film Sound. Theory and Practice, ed. E. Weis and J. Belton, Columbia University Press, New York 1985, s. 377.
2. G. Didi-Huberman, Images malgré tout, w: Memoire des camps. Photographies des camps de concentration et d’extermination nazis (1933-1999), dir. C. Cheroux, Marval, Paris 2001.
3. G. Didi-Huberman, Obrazy mimo wszystko, przeł. M. Kubiak Ho-Chi, Universitas, Kraków 2007.
4. T. Elsaesser, Holocaust Memory as the Epistemology of Forgetting? Re-wind and Postponement in ‘Respite’, w: Harun Farocki. Against What? Against Whom?, ed. A. Ehmann, K. Eshun, Koenig Books, London 2009, s. 56.
5. H. Foster, Vision Quest. The Cinema of Harun Farocki, „Artforum” November 2004, s. 156.
6. A. Leśniak, Ukryte obrazy Alfredo Jaara. Konfiguracja widzialnego, „Konteksty” 2010 nr 1(288).
7. J.F. Lyotard, Discours, figure, Klinksieck, Paris 1971.
8. J. Rancière, L’inconscient esthétique, Galilée, Paris 2001, s. 9-10.
IBL PAN, call no. P.I.2524 ; click here to follow the link
Language: Language of abstract: Rights: Terms of use:Copyright-protected material. May be used within the limits of statutory user freedoms
Digitizing institution:Institute of Literary Research of the Polish Academy of Sciences
Original in:Library of the Institute of Literary Research PAS
Projects co-financed by:Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund
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