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Obraz jako sytuacja. Tragizm, podmiotowość i malarstwo według Barnetta Newmana
Subtitle: Creator: Publisher: Place of publishing: Date issued/created: Description:21 cm ; Tekst pol., streszcz. ang.
Type of object: Subject and Keywords:expressionism ; American fine arts (20 c.) ; Newman, Barnett
References:
1. Barnett Newman. Selected Writings and Interviews, ed. by J.P. O'Neill, introd. by Richard Shiff, Knopf, New York 1990, s. 221.
2. P. Crowther, Barnett Newman and the Sublime, "Oxford Art Journal" 1984 nr 2 (vol. 7), s. 52-56.
3. S. Guilbaut, Jak Nowy Jork ukradł ideę sztuki nowoczesnej. Ekspresjonizm abstrakcyjny, wolność i zimna wojna, przeł. E. Mikina, Hotel Sztuki, Warszawa 1992, s. 292.
4. T. Hess, Barnett Newman, Museum of. Modern Art, New York, 1971, s. 73.
5. M. Leja, Barnett Newman Solo Tango, "Critical Inquiry" 1995 vol 21, s. 568.
6. M. Leja, Reframing Abstract Expressionism. Subjectivity and Painting in the 1940s., Yale University Press, New Haven-London 1993.
7. J.F. Lyotard, Newman. The Instant, w: The Lyotard Reader, ed. by A. Benjamin, Blackwell, Oxford 1991, s. 247.
8. J.F. Lyotard, Wzniosłość i awangarda, przeł. M. Bieńczyk, "Teksty Drugie" 1996 nr 2/3, s. 185.
9. B. Newman w: Jackson Pollock. An Artists Symposium, dyskusja "ARTnews" 1967, s. 192.
10. F. Nietzsche, Narodziny tragedii, albo Grecy i pesymizm, przekł. i wstęp B. Baran, Inter-Esse, Kraków 1994, s. 119.
11. R. Parker, A Cahier Leaf. Direct Painting, "It is" 1985 nr 1.
12. J. Rushing, Decade of Decision, "Art Journal" 1995 no 1 (vol. 54), s. 90.
13. J. Rushing, The Impact of Nietzsche and Northwest Coast Indian Art on Barnett Newmans Idea of Redemption in the Abstract Sublime, "Art Journal" Fall 1988, s. 189.
14. I. Sandler, The New York School. The Painters and Scupltors of the Fifties, New York 1978, s. 46.
15. R. Shiff, Criticism at Odds with Its Art. Prophecy, Projection, Doubt, Paranoia, "Common Knowledge" 2003 no 3 (vol. 9), s. 455-456.
16. The School od New York, Perls Gallery, Beverly Hills, California 1951.
17. S. Zucker, Confrontations with Radical Evil. The Ambiguity of Myth and the Inadequacy of Representation, "Art History" 2001 no 3 (vol. 24).
IBL PAN, call no. P.I.2524 ; click here to follow the link
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Digitizing institution:Institute of Literary Research of the Polish Academy of Sciences
Original in:Library of the Institute of Literary Research PAS
Projects co-financed by:Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund
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