Metadata language
21 cm ; Tekst pol., streszcz. ang.
Type of object: Subject and Keywords:Camp ; Newton, Esther ; Sontag, Susan ; Rossa, Andrew
References:
1. J. Babuscio, Camp and the gay sensibility, w: Gays and film, ed. R. Dyer, Zoetrope, New York 1984, s. 47.
2. D. Bergman Camp, w: Gay and lesbian literary heritage, ed. C.J. Summers, New York 1995.
3. D. Bergman, Kamp, przeł. A. Mizerka, „Poznańskie Studia Polonistyczne. Seria Literacka” 2006 t. 13, s. 116.
4. M. Booth Camp-toi! On the origins and definitions of camp, w: Camp. Queer aesthetics and the performing subject, ed. F. Cleto, Edinburgh University Press, Edinburgh 1999, s. 66-79.
5. M. Booth, Camp, Quartet Books Limited, London, Melbourne, New York 1983.
6. A. Britton, For interpretation. Notes against camp, „Gay Left” 1978/1979 no 7, s. 11-14.
7. Camp grounds. Style and homosexuality, ed. D. Bergman, The University of Massachusetts Press, Amherst 1993.
8. Camp. Queer aesthetics and the performing subject, ed. F. Cleto, Edinburgh University Press, Edinburgh 1999.
9. K. Davy, Fe/Male impersonation. The discourse of camp, w: The politics and poetics of Camp.
10. J. Dollimore, Sexual dissidence. Augustine to Wilde, Freud to Foucault, Clarendon Press, Oxford 1991, s. 321.
11. M. Frank, The critic as performance artist. Susan Sontag’s writing and gay cultures, w: Camp grounds. Style and homosexuality, ed. D. Bergman, University of Massachusetts Press, Amherst 1993; The politics and poetics of camp, ed. M. Meyer, Routledge, London 1994.11. M. Frank, The critic as performance artist. Susan Sontag’s writing and gay cultures, w: Camp grounds. Style and homosexuality, ed. D. Bergman, University of Massachusetts Press, Amherst 1993; The politics and poetics of camp, ed. M. Meyer, Routledge, London 1994.
12. E. Goffman, Piętno. Rozważania o zranionej tożsamości, przeł. A. Dzierżyńska, J. Tokarska-Bakir, Gdańskie Wydawnictwo Psychologiczne, Gdańsk 2005, s. 33.
13. P. Graham, Girl’s Camp? The politics of parody, w: Immortal, invisible. Lesbians and the moving image, ed. T. Wilton, Routlegde, London 1995.
14. R.F. Kiernan, Frivolity unbound: six masters of the camp novel; Thomas Love Peacock, E.F. Benson, Max Beerbohm, P.G. Wodehouse, Ronald Firbank, Ivy Compton-Burnett, Continuum, New York 1990.
15. Ch. Kleinhaus, Taking out the trash. Camp and the politics of parody, w: The politics and poetics of Camp, s. 188.
16. A. Medhurst, Kamp, przeł. P. Czapliński, „Poznańskie Studia Polonistyczne. Seria Literacka” 2006 t. 13, s. 96.
17. M. Meyer, Dyskurs Kampu. Rewindykacja (przekład A. Bartosz na podst.: M. Meyer Introduction. Reclaiming the discourse of camp, w: The politics and poetics of camp, s. 21).
18. M. Meyer, Under the sign of wilde. An archaeology of posing, w: The politics and poetics of camp, ed. M. Meyer, Routledge, London–New York 1994, s. 75-109.
19. D.A. Miller, Sontag’s urbanity, w: The lesbian and gay studies reader, ed. H. Abelove, Routlegde, London 1993, s. 212-220.
20. C. Morrill, Revamping the gay sensibility. Queer Camp and dyke noir, w: The politics and poetics of Camp.
21. E. Newton, Mother camp. Female impersonators In America, Prentice-Hall, Englewood Cliffs 1972, s. 103.
22. G. Piggford, „Who’s that girl?” Annie Lennox, Woolf’s Orlando, and female camp androgyny, „Mosaic” 1997 nr 3 (30), s. 40.
23. P. Robertson, Guilty pleasures. Feminist Camp from Mea West to Madonna, London–New York 1996.
24. A. Ross, No respect. Intelectuals and popular culture, Routledge, London–New York 1989.
25. S. Sontag, Notes on camp, „Partisan Review” 1964 nr 4 (31), s. 515-530.
IBL PAN, call no. P.I.2524 ; click here to follow the link
Language: Language of abstract: Rights: Terms of use:Copyright-protected material. May be used within the limits of statutory user freedoms
Digitizing institution:Institute of Literary Research of the Polish Academy of Sciences
Original in:Library of the Institute of Literary Research PAS
Projects co-financed by:Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund
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