Object structure
Title:

Emancipation, Representation, Censorship.

Subtitle:

Teksty Drugie Nr 1 (2025) - Special Issue - English Edition

Creator:

Niziołek, Grzegorz ORCID

Publisher:

IBL PAN

Place of publishing:

Warszawa

Date issued/created:

2024

Description:

21 cm ; Eng. text, eng. summary

Subject and Keywords:

emancipation ; representation ; censorship ; queer art ; Fassbinder

References:

1. Ahmed, S. “Open Forum Imaginary Prohibitions: Some Preliminary Remarks on the Founding Gestures of ‘the New Materialism.’” European Journal of Women’s Studies 15 (1) (2008). DOI
2. Barnett, D. Rainer Werner Fassbinder and the German Theatre. Cambridge University Press, 2005.
3. Bishop, C. Sztuczne piekła. Sztuka partycypacyjna i polityka widowni, trans. Jacek Staniszewski. Bęc Zmiana, 2015.
4. Brown, W. “Wounded Attachments.” Political Theory 21 (3) (1993). DOI
5. Butler, J. “Ethical Ambivalence.” In The Turn to Ethics, ed. M. Garber, B. Hanssen and R. L. Walkowitz. Taylor & Francis, 2000.
6. Critique and Postcritique, ed. Elizabeth S. Anker and R. Felski. Duke University Press, 2017.
7. Dąbrowski, J. and Demenko, A. Cenzura w sztuce polskiej po 1989 roku. Aspekty prawne. Szum, 2015.
8. Felski, R. The Limits of Critique. University of Chicago Press, 2015. DOI
9. Genet, J. Prisoner of Love, trans. Laurent Boyer. Wesleyan University Press, 1989.
10. Hardt, M. and Negri, A. Commonwealth. Belknap Press, 2009. DOI
11. Iser, W. “Representation: A Performative Act.” In The Aims of Representation, ed. Murray Krieger. Stanford University Press, 1987. DOI
12. Koselleck, R. The Practice of Conceptual History: Timing History, Spacing Concepts, trans. Todd S. Presner. Stanford University Press, 2002. DOI
13. Kosofsky Sedgwick, E. “Paranoid Reading and Reparative Reading, or: You’re So Paranoid You Probably Think This Text Is about You.” In E. Kosofsky Sedgwick, Touching Feeling. Duke University Press, 2003.
14. Laplanche J., and Pontalis, J. B. The Language of Psychoanalysis. Routledge, 2018.
15. LaValley, A. “The Gay Liberation of Rainer Werner Fassbinder: Male Subjectivity, Male Bodies, Male Lovers.” New German Critique 63 (1994). DOI
16. Love, H. Feeling Backward: Loss and the Politics of Queer History. Harvard University Press, 2007.
17. Markowski, M. P. “O reprezentacji.” In Kulturowa teoria literatury. Główne pojęcia i problemy, ed. Michał P. Markowski and Ryszard Nycz. Universitas, 2006.
18. Muñoz, J. E. Disidentifications: Queer of Color and the Performance Politics. University of Minnesota Press, 1999.
19. Phelan, P. “Tim Miller’s My Queer Body: An Anatomy in Six Sections.” Theater 24 (1993). DOI
20. Rancière, J. Estetyka jako polityka, trans. P. Mościcki, J. Kutyła. Krytyka Polityczna, 2007.
21. Weimann, R. “History, Appropriation, and the Uses of Representation in Modern Narrative.” in The Aims of Representation.

Relation:

Teksty Drugie

Issue:

1

Start page:

77

End page:

90

Resource type:

Text

Detailed Resource Type:

Article : original article

Resource Identifier:

0867-0633 ; 10.18318/td.2025.en.1.5/

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

ang

Language of abstract:

eng

Rights:

Creative Commons Attribution BY 4.0 license

Terms of use:

Copyright-protected material. [CC BY 4.0] May be used within the scope specified in Creative Commons Attribution BY 4.0 license, full text available at: ; -

Digitizing institution:

Institute of Literary Research of the Polish Academy of Sciences

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund

Access:

Open

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