Nadal trwa: trauma i pamięć I wojny światowej

Wilson, Ross J.

doi:0867-0633

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Nadal trwa: trauma i pamięć I wojny światowej Wilson, Ross J.

Object structure

Nadal trwa: trauma i pamięć I wojny światowej

Teksty Drugie Nr 4 (2018)

21 cm ; Pol. text, eng. summary

Journal/Article

memory and World War I ; memory and popular culture ; trauma studies ; war in popular culture

1. J. Alexander, Toward a Theory of Cultural Trauma, w: Cultural Trauma and Collective Memory, eds. J.C. Alexander, R. Eyerman, B. Giesen, N. Smelser, P. Sztompka, University of California Press, Berkeley 2001.
2. L. Andrews, Angels of Mercy, Headline, London 1998.
3. S. Audoin-Rouzeau, A. Becker, Understanding the Great War, trans. C. Temerson, Hill and Wang, New York 2002.
4. Australians at War. ABC. http://www.australiansatwar.gov.au/television/index.html. (12 stycznia 2002).
5. S. Badsey, Blackadder Goes Forth and the ‘Two Western Fronts’ Debate, w: Television and History, eds. G. Roberts and P.M. Taylor, University of Luton Press, Luton 2001, s. 113–125.
6. P. Barker, Another World, Viking Press, London 1998.
7. B. Bond, The Unquiet Western Front, Cambridge University Press, Cambridge 2002.
https://doi.org/10.1017/CBO9780511496158
8. J. Bourke, An Intimate History of Killing: Face-to-Face Killing in Twentieth-Century Warfare, Granta Books, London 1999.
9. J. Boyden, Three Day Road, Toronto, Penguin 2005.
10. J. Breuer, S. Freud. Studia nad histerią, tłum. R. Reszke, Wydawnictwo KR, Warszawa 2008.
11. R. Burrows, Tea Tree Passage, Harper Collins, Sydney 2001.
12. C. Caruth, Unclaimed Experience: Trauma, Narrative, History, The Johns Hopkins University Press, Baltimore 1996.
13. G. Corrigan Mud, Blood and Poppycocks: Britain and the First World War, Cassel, London 2003.
14. B. Elton, The First Casualty Bantam Press, London 2005.
15. R. Eyerman, Cultural Trauma: Slavery and the Formation of African American Identity, Cambridge University Press, Cambridge 2001.
https://doi.org/10.1017/CBO9780511488788
16. P. Fussell, The Great War and Modern Memory, Oxford University Press, Oxford 1975.
17. E. Hanna, The Great War on the Small Screen: Representing the First World War in Contemporary Britain, Edinburgh University Press, Edinburgh 2009.
https://doi.org/10.3366/edinburgh/9780748633890.001.0001
18. J. Hodgins, Broken Ground, McClelland and Stewart, Toronto 1998.
19. F. Itani, Deafening, Harper Collins, Toronto 2003.
20. M. Morpurgo, Private Peaceful, Harper Collins, London 2003.
21. F. Nietzsche, Z genealogii moralności. Pismo polemiczne, przeł. L. Staff, Zielona Sowa, Kraków 2006.
22. P. Novick, The Holocaust in American Life, Houghton Mifflin, Boston 2000.
23. Ordeal by Fire. CBC. http://www.cbc.ca/history/EPlSHOMEEP12LE.htmI, (19 listopada 2000).
24. Popular Memory Group i in. Popular Memory: Theory, Politics, Ethics, w: Making Histories. Studies in History-Writing and Politics, eds. R. Johnson, G. McLennan, B. Schwartz and D. Sutton, Routledge, London 1982.
25. Revealing Gallipoli. ABC http://www.abc.net.au/tv/guide/netw/200504/programs/ZY7664A001D24042005T193000.html, dostęp: 23 października 2005.
26. G. Seal, Inventing Anzac: The Digger And National Mythology, University of Queensland Press, St. Lucia 2004.
27. G. Sheffield, Forgotten Victory. The First World War – Myths and Realities, Headline, London 2001.
28. N. Smelser, Psychological Trauma and Cultural Trauma, w: Cultural Trauma and Collective Memory, eds. J.C. Alexander, R. Eyerman, B. Giesen, N. Smelser, P. Sztompka, University of California Press, Berkeley 2001, s. 31-59.
https://doi.org/10.1525/california/9780520235946.003.0002
29. A. Thomso, Anzac Memories: Living with the Legend, Oxford University Press, Oxford 1994.
30. A. Thorpe, Nineteen Twenty-One, Vintage, London 2001.
31. D. Todman, The Great War: Myth and Memory, Sutton, Stroud 2001.
32. J. Urquhart The Stone Carvers, McClelland and Stewart, Toronto 2001.
33. J. Vance, Death So Noble: Memory, Meaning and the First World War, University of British Columbia Press, Vancouver 1997.
34. J. Wertsch, Voices of Collective Remembering, Cambridge: Cambridge University Press.
35. R. Wilson The Trenches in British Popular Memory, „Interculture” 2008, nr 5.2, s. 109–118.
36. J. Winter, Sites of Memory, Sites of Mourning: The Great War in European Cultural History, Cambridge University Press, Cambridge 1992.
37. P. Yeldham, Barbed Wire and Roses, Penguin, Sydney 2007.
38. S. Žižek, For They Know Not What They Do: Enjoyment As a Political Factor Verso, London 2002.
Filmografia:
1. Wszyscy ludzie króla, reż, J. Jarrold, British Broadcasting Corporation, 1999.
2. Australians at War, reż. Geoff Burton. Australian Broadcasting Corporation, 2001.
3. Czarna żmija, reż. Richard Boden. British Broadcasting Corporation, 1989.
4. Broken Sun, reż. Brad Haynes. JackaFilms, 2008.
5. Canada: A People's History, reż. Serges Turbide. Canadian Broadcasting Corporation, 2000.
6. Dolina cieni, reż. Michael Bassett. Apollo Media, 2002.
7. Gallipoli, reż. Peter Weir. Australian Film Commission, 1981.
8. The Great War, reż. Brian McKenna. Canadian Broadcasting Corporation, 2007.
9. The Last Day of World War One, reż. John Hayes Fisher. British Broadcasting Corporation, 2008.
10. Mój syn Jack, reż. Brian Kirk. Ecosse Films, 2007.
11. Not Forgotten, reż. Jane Jeffes. Firefly Productions, 2008.
12. Passchendaele, reż. Paul Gross. Damberger Film and Cattle, Co., 2008. Revealing Gallipoli, reż. Wain Fimeri. Australian Broadcasting Corporation, 2005.
13. Okop, reż. William Boyd. Arts Council of England, 1999.
14. Okopy, reż. Dominic Ozanne. British Broadcasting Corporation, 2002.