@misc{Łotysz_Sławomir_Muzyka_2023, author={Łotysz, Sławomir}, editor={Institute of History of the Polish Academy of Sciences}, copyright={Creative Commons Attribution BY-ND 4.0 license}, address={Warszawa}, howpublished={online}, year={2023}, language={pol}, abstract={The "Iron Foundry", a suite by Soviet composer Alexander Mosolov, was premiered in Poland in 1931. The composition belonged to the “Machine Music” popular at that time. Performances of the work elicited strong reactions from the Polish public, not only because of its artistic style but also because of the composer’s ideological background. The issue of music inspired by industrial sounds had also entered the debate about the problem of noise in the human environment.}, title={Muzyka epoki hałasu : recepcja "Odlewni stali" Aleksandra Mosołowa w międzywojennej Polsce}, type={Text}, URL={http://rcin.org.pl./Content/240697/WA303_277093_A453-SzDR-58-1_Lotysz.pdf}, volume={58}, number={1}, journal={Studia z Dziejów Rosji i Europy Środkowo-Wschodniej}, publisher={Instytut Historii im. Tadeusza Manteuffla Polskiej Akademii Nauk}, keywords={Europe, Eastern - history - periodicals, Russia - history - periodicals, Europe, Central - history - periodicals, avant-garde (music) - Soviet Union, Mosolov, Aleksandr (1900-1973), music - Soviet Union - history and criticism, avant-garde (music) - Poland - history - 20th century, music - social aspects - Poland - history - 20th century, music appreciation - Poland - history - 20th century, noise music - history and criticism, sound - social aspects - history - 20th century, noise - social aspects - history - 20th century}, }