@misc{Jurkowlaniec_Grażyna_Krescentyn_2024, author={Jurkowlaniec, Grażyna and Suchecka, Anna}, volume={62}, editor={Institute of History of the Polish Academy of Sciences}, copyright={Creative Commons Attribution BY 4.0 license}, address={Warszawa}, journal={Studia Źródłoznawcze}, howpublished={online}, year={2024}, publisher={Instytut Historii im. Tadeusza Manteuffla Polskiej Akademii Nauk}, publisher={Fundacja Instytutu Historii im. Tadeusza Manteuffla Polskiej Akademii Nauk}, language={pol}, abstract={The article’s subject is a series of woodcuts illustrating the first edition of the Polish translation of Pietro de’ Crescenzi’s Ruralia commoda, for which Helena Unglerowa obtained a royal priviledge in July 1537. The graphic design of the print was examined not so much in terms of the relationship between the illustrations and the text, but as a source allowing to specify the chronology of the complicated publishing process, which was exceptionally long, as it did not end until 1549. An analysis of the woodcuts has also made it possible to identify circumstances that might have contributed to the suspension of the work, as well as to indicate the place of this publication among other works on nature published in Krakow in the sixteenth century.}, type={Text}, title={Krescentyn polski albo drzeworyt jako źródło do badania procesu wydawniczego}, URL={http://rcin.org.pl./Content/243055/WA303_279712_B88-SZ-62-2024_Jurkowlaniec.pdf}, keywords={woodcut, publishing process, history of the book, Crescenzi, Pietro de (1233-circa 1320), Spiczyński, Hieronim (?-1550), Unglerowa, Helena (?-1551)}, }